Van Gogh in Auvers by Axel Ruger


Authors
Axel Ruger
ISBN
9781580933018
Published
Binding
Hardcover
Pages
304
Dimensions
295 x 248 x 33mm

In the last seventy days of his life, Vincent van Gogh experienced an unprecedented burst of creativity. He
painted at least one canvas per day, often more, and wrote dozens of eloquent, personal letters to family, fellow
artists, and friends. For the first time, this volume gathers all that he produced during these last few months and
presents it in a day-by-day chronology that reveals his intense focus on the continuing development of his
signature artistic method as well as his innermost thoughts and concerns.

Persuaded by his doting brother, Theo, to move to the artistic enclave of Auvers-sur-Oise in 1890 for a change
of scenery and a chance at a life free from temptation, and with the intent of concentrating solely on painting
and restoring his full mental health, van Gogh arrived in May just as the town and its nearby bucolic fields were
bursting into full springtime glory, providing him ample material for inspiration. Stunning reproductions of his last
paintings display his daily explorations of this charming hamlet’s streets and buildings, including its now-iconic
church and thatched cottages, its inhabitants—including his friend and mentor Doctor Gachet, immortalized on
canvas—and the wide, open fields that roused him to paint masterpieces such as Wheat Field with Crows and
Landscape with a Carriage and a Train. Despite these idyllic surroundings, his encouraging pace of production,
and mounting critical recognition, van Gogh chose to end his own life a mere two and a half months later,
leaving the letters and paintings duplicated here as the only clues to the internal anguish that led him to an act
of such desperation.

The full complexity of van Gogh’s personality, emotions, and relationships is presented here through
reproductions of historical documents, letters, and glorious full-colour plates of over seventy paintings, each of
which is also accompanied by incisive commentary from author Wouter van der Veen, a renowned van Gogh
scholar. A final chapter fully explores the often overlooked role played by his sister-in-law, Johanna Bonger, in
cultivating and establishing his posthumous legacy.
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