The Pacific Room

The Pacific Room by Michael Fitzgerald


ISBN
9780995359550
Published
Binding
Paperback
Pages
240
Dimensions
153 x 234mm

‘Do I
look strange?’

These
were his last recorded words. That night Sosimo kissed his hands and laid them
across his breast, knitting his fingers together like flowers. The next morning
the household watched his coffin, held aloft by a dozen brown hands, disappear
into an ocean of leaves. Every now and then, at a turn of the mountain, it
would emerge from the trees, bobbing higher and higher, floating free.

This
remarkable debut novel tells of the last days of Tusitala, ‘the teller of
tales’, as Robert Louis Stevenson became known in Samoa where he chose to die.
In 1892 Girolamo Nerli travels from Sydney by steamer to Apia, with the
intention of capturing something of Jekyll and Hyde in his portrait of the
famous author. Nerli’s presence sets in train a disturbing sequence of events. More
than a century later, art historian Lewis Wakefield comes to Samoa to research
the painting of Tusitala’s portrait by the long-forgotten Italian artist. On
hiatus from his bipolar medication, Lewis is freed to confront the powerful
reality of all the desires and demons that R. L. Stevenson couldn’t control.
Lewis’s personal journey is shadowed by the story of the lovable Teuila, a
so-called fa‘afafine (‘in the manner of a woman’), and the
spirit of Stevenson’s servant boy, Sosimo. Set in an evocative tropical landscape haunted by the lives
and spirits which drift across it, The Pacific Room is both a love
letter to Samoa and a lush and tender exploration of artistic creation, of
secret passions and merging dualities.

‘A wonderfully stylistic novel, dream-like and mesmeric. It moves with ekphrastic cadences, from painting to writing and back again, between the present and the past, both muted and full of nuance, like a water-colour of archived time. Fitzgerald skilfully employs a controlled language of concealment and careful observation through which character is translated. All the while, there are subliminal disturbances below, indicating fatal and fateful meetings between culture and history.’ — Brian Castro, Winner of the Patrick White Award for Literature
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