Encyclopaedias and dictionaries are often boring, of no help when it comes to secretly filling train carriages with subversive balloons and they rarely manage to offend everyone.
Lexicographers assume that language is a big machine that you need an instruction manual to use, rather than a river of silvery ribbons that bursts out of your astonished mouth, or a spectacular instant tree that grows between people in collective surrender to something bigger than the both of us, or a slow lightning strike that pins you, howling with delight, to the sky, or some peculiar paradoxical state halfway between hard cold crystal- line structures driving us to a revolutionary, world-changing point, and mad hot erupting flowers of aimless joy.
People who read dictionaries rarely snort soup out their nostrils in outrage, or nod with serene recognition at far distant and long estranged ideas suddenly flung together as mysterious friends, or feel gently inspired to fall in love with waiting forever, or seriously consider the only solution to heartbreak there is or possibly could be, or leave work to master horsemanship, or leave school to get educated, or up and seize their wives about the middle, ready to embark on a week-long reality-cracking godgasm, or stroll whistling into the void.
The Apocalypedia is, therefore, a scurrilous, lyrical, lunatic and friendly countercultural A-Z that satirises modern society through an original and revolutionary collection of flash-essays and comic vignettes. It presents an apocalyptically optimistic and deeply original way of understanding human nature and of living in a civilisation that is in rapid and terminal decline. Looking at a combination of common value-charged words and new words coined to give voice to the often overlooked beauties and horrors of everyday experience, The Apocalypedia is a comic revelation of the kaleidoscopic twists and turns that ordinary consciousness makes throughout the day.
A delightful gift book for the radically-inclined, the romantically baffled, the psychologically broken, the fledgling creative genius, the reckless, the sensitive and the actually dying, the book is an entertaining and uncompromising satire of modern culture.
