Immensely influential, and long beloved by artists, writers and theorists alike, Adrian Stokes (1902-1972) was at once the last of the great British amateur art writers and - as the first art theorist to substantially synthesise aesthetics and psychoanalysis - among the first of the moderns.
Since the publication of his groundbreaking books The Quattro Cento and Stones of Rimini in the 1930s, Stokes's writing has enjoyed a readership across disciplines from psychoanalysis to literature and art. Contemporary admirers ranged from Ernst Gombrich to Dore Ashton, Ben Nicholson to Philip Guston, Ezra Pound to John Ashbery - reflecting the diverse milieus in which Stokes moved.
And yet it has been nearly 45 years since a broad introduction to his work has been commercially available. In the wake of a recent biography, new critical studies and reprintings of individual books, this volume presents a substantial selection from Stokes's published writings - including important posthumously published texts as well as his superb ballet writings of the 1920s - highlighting him as a pioneering thinker on art and a virtuoso of the essay form.
