An inside look at the politics of book reviewing, from the assignment and writing of reviews to why critics think we should listen to what they have to say
Taking readers behind the scenes in the world of fiction reviewing, Inside the Critics’ Circle explores the ways critics evaluate books despite the inherent subjectivity involved and the uncertainties of reviewing when seemingly anyone can be a reviewer. Drawing on interviews with critics from such venues as the New York Times, Los Angeles Times, and Washington Post, Phillipa Chong delves into the complexities of the review-writing process, including the considerations, values, and cultural and personal anxieties that shape what critics do.
Chong explores how critics are paired with review assignments, why they accept these time-consuming projects, how they view their own qualifications for reviewing certain books, and the criteria they employ when making literary judgments. She discovers that while their readers are of concern to reviewers, they are especially worried about authors on the receiving end of reviews. As these are most likely peers who will be returning similar favours in the future, critics’ fears and frustrations factor into their willingness or reluctance to write negative reviews.
At a time when traditional review opportunities are dwindling while other forms of reviewing thrive, book reviewing as a professional practice is being brought into question. Inside the Critics’ Circle offers readers a revealing look into critics’ responses to these massive transitions and how, through their efforts, literary values get made.
'The country’s newspaper book review pages evaporated in the 21st century. . . . Those of us who remain occupy one of the most tenuous positions in an extraordinarily tenuous industry. That seems to be what attracted the attention of Phillipa K. Chong, a sociology professor at McMaster University in Ontario, Canada. . . . Chong offers rare insight.' – Ron Charles, Washington Post Book Club
'Phillipa Chong’s precise, insightful and fascinating book focuses on journalist critics of fiction who write with an eye to newsworthiness as well as literary value, rather than academics.' – Robert Eaglestone, Times Higher Education
'[An] exploration of how books get reviewed, what the consequences are, and whether any of it means anything at all. . . . Chong works diligently through the review process. . . . Useful reading for book critics and journalists who cover books.' – Kirkus Reviews
