Although CampuÌ a was the usual photographer of Franco and the Spanish royal family during the dictatorship, to limit any definition of CampuÌ a to the title of "Franco's photographer" means falling prey to reductionism. The vantage point offered by this book allows us to delve deeper into the photographer's work and discover him as a multifaceted figure. It offers us the chance to overcome stereotypes, expand our viewpoint and see the portrait created as an entire society walked in front of the camera held by this great master of 20th-century Spanish photography.
