Robert Zund (1827?1909) is Switzerland's "Master of the Beech Leaf," revered for his light-flooded paintings of bucolic landscapes. Tobias Madorin has achieved wide critical acclaim for his photographic tableaus that depict the interactions between people and their surrounding environment. Embedded in both artists' work is a fascination with observation, or the intensity of the gaze, and so their works form a stylistically consistent pairing, the subject of an upcoming exhibition at Kunstmuseum Luzern. Bellevue juxtaposes Zund's paintings with photographs by Madorin, some of which show the same views. Zund's paintings of sunlit paradises are so precisely rendered that, rather than enjoying their beauty, viewers feel compelled to look more closely. Madorin achieves a similar intensity in his photographs, working with a large-format analogue camera that lends an unusual slowness and attention to detail to the photographic process. The book provides a new way of approaching the work of both artists and their perception of the landscape at the heart of Switzerland. A wealth of illustrations is complemented by essays by curators Fanni Fetzer and Dominik Muller and American art historian Jonathan Steinberg. AUTHOR: Fanni Fetzer is Director of Kunstmuseum Luzern. Kunstmuseum Luzern is one of Switzerland's leading art museums with a special focus on contemporary art and on Swiss artists. SELLING POINTS: . Juxtaposes 19th-century painting with 21st-century photography . A collection of essays which investigate the topic of observation and the aptitude to see . Features previously unpublished photographs by Tobias Madorin 64 colour, 1 b/w illustration
