Kate Mondloch examines how new media
installation art intervenes in technoscience and new materialism, showing how
three diverse artists—Pipilotti Rist, Patricia Piccinini, and Mariko
Mori—address everyday technology and how it constructs our bodies. Mondloch
establishes the unique insights that feminist theory offers to new media art
and new materialisms, offering a fuller picture of human–nonhuman relations.