Famous bestselling author, loving husband, generous friend—Henry Hayden is a pleasant person to have around. Or so it seems. And when his mistress, who is also his editor, becomes pregnant, his carefully constructed life threatens to fall apart.
So Henry works out an ingenious plan. Craftily and cold-bloodedly, he intertwines lies and truths and all the shades of grey in-between.
But when he tries to get rid of his mistress, Henry makes a terrible mistake. Not only are the police soon after him, but his past, which he has painstakingly kept under the carpet, also threatens to catch up with him with deadly consequences
a stunning debut
The Truth and Other Lies is the first novel by German playwright, Sascha Arango. Henry Hayden is a best-selling author of crime novels, happily married to Martha (even if he also sleeps with his editor, Betty), generous with friends and pleasant to his fans. But Henry has a secret (or two), and when Betty announces she is pregnant, the façade of his comfortable existence threatens to collapse. Henry acts to preserve the status quo, but things don’t quite go to plan.
Arango gives the reader an intriguing plot with plenty of twists, wrinkles and complications. His novel is riddled with delicious ironies, misdirection and plenty of black humour. Arango manages to include a synaesthete, a troublesome marten, a failing fishmonger, a not quite tenacious enough detective, an envious class-mate, unrequited lovers, an almost-finished manuscript and a very big “oops” moment. While Henry’s lies and his sheer audacity will leave readers gasping, many will find themselves almost wanting him to get away with it, or at least, feeling some sympathy for him.
Arango gives his characters some astute observations: “You don’t have to be famous to be happy, especially as popularity is all too often confused with significance” and “Men are never more cowardly and their lies never more pathetic than when they’re caught with their pants down” and “Martha had warned him that success was a mere shadow that shifts with the moving sun” are examples. Also a succinct definition: “If I see or hear something and everyone else pretends there’s nothing there, then I know it’s a conspiracy”
The reader is also treated to some marvellous descriptive prose: “The chapter fell seamlessly in line with the previous one; the story flowed towards its climax with such assurance that it was as if, instead of having been thought up, it had emerged from itself, like a plant from a seed” and “The cataract of words poured out of …’s brain and straight through the machine onto the paper; not a single word got spilt” on writing; also “A secret like this is a parasite. It feeds on you and grows bigger and bigger. It wants to get out of you, it gnaws its way through your heart, it wants to get out of your mouth, it crawls through your eyes!”
This aptly titled novel is flawlessly translated from German by Imogen Taylor, and the Text Publishing edition has a colourful and imaginative cover by W H Chong. They offer a money-back “Love it” guarantee, and while this book is probably not for everyone, that guarantee would seem a fairly safe bet with many readers. This is a stunning debut and readers will look forward to more from this talented author.
Marianne, 22/04/2015
